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Don Weller (born 19 December 1940 in Thornton Heath, in the South London borough of Croydon),〔Alun Morgan, sleeve notes for the Don Weller Spring Quartet (''sic''), ''Commit No Nuisance'' (Yes to Jazz 10048).〕 is a British jazz musician, tenor saxophonist and composer. ==Career== Don Weller began learning clarinet at the age of 14, and was classically educated on it for four or five years, soloing in Mozart's Clarinet Concerto at Croydon Town Hall when aged 15.〔Morgan, sleeve notes for ''Commit No Nuisance''; Ian Carr, Digby Fairweather & Brian Priestley, ''Jazz: The Essential Companion'' (London: Paladin, 1988), p. 531, for the Mozart – though playing this in public after only a year’s tuition would be quite a feat.〕 He began playing in Dixieland bands around the Croydon area, but later switched to tenor saxophone〔Morgan’s sleeve notes for ''Commit No Nuisance'' say, 'The change to tenor came about largely through the influence of John Coltrane and his ''Blue Train'' LP; from then on he became an avid listener to the New York-based tenors then being recorded by the Blue Note and Prestige companies. Hank Mobley, and probably most of all, Dexter Gordon, became his heroes.' But Brian Blain, 'Onward Flows the Don', in ''Jazz UK'', 53 (September/October 2003), p. 15, quotes Weller as saying, 'My first tenor heroes were Ben Webster, Coleman Hawkins and Sonny Rollins.'〕 and played in Kathy Stobart's rehearsal band.〔'Inspired by Kathy Stobart, he took up tenor sax and played in her rehearsal band': Carr, Fairweather & Priestley, ''Jazz'', p. 531.〕 In the 1970s, his jazz-rock group Major Surgery played only Weller's compositions. This was followed by a quartet with drummer Bryan Spring. At the same time he worked regularly with pianist Stan Tracey, and also with Harry Beckett and in a quintet with Art Themen. Renowned for his versatility, he has played with artists such as Alan Price, Tina May and Charlie Hearnshaw. He played saxophone on the 1973 album ''Allright on the Night'' by British hard rock band Tucky Buzzard.〔() Discogs. Retrieved 22 September 2013.〕 He appears as lead sax (with Tower of Power backing him on horns)on the instrumental track "Nascimento" of Cat Stevens' 1978 LP ''Back To Earth''. He also played on the Alex Harvey album ''The Mafia Stole My Guitar'' released in 1979 delivering the solo on the track ''Wait For Me Mama'' and writing ''Don's Delight''. In 1981, he stood in for Michael Brecker when the Gil Evans Orchestra played at the Bracknell Jazz Festival, subsequently touring the UK and recording with one of the band's trumpeters, Hannibal Marvin Peterson, added on to the Weller–Spring Quartet.〔Carr, Fairweather & Priestley, ''Jazz'', p. 389.〕 He also played and recorded with Evans' British Orchestra in 1983.〔Sleeve notes for Gil Evans, ''The British Orchestra'' (Mole 8).〕 Also in the 1980s, together with his friend and fellow tenor sax Dick Morrissey, Weller was a regular member of Rocket 88, the boogie-woogie fun band set up by Ian "Stu" Stewart and Bob Hall, appearing on the band's only album. He has been involved with the films ''Absolute Beginners'' and ''Stormy Monday'' both as performer and composer. He won the 'Top Tenor' award in 1994, 1996 and 1998. In 1995 he was commissioned by the Appleby Jazz Festival organiser Neil Ferber to write The "Pennine Suite" for a jazz big band which was premiered at the 1995 Appleby festival and released on CD the following year.〔http://www.amazon.co.uk/The-Don-Weller-Band-Live/dp/B000024QDE〕 Since then the band has regularly appeared at other jazz festivals. A more recent commission from Appleby Jazz was for his 'Electric Jazz Octet'. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Don Weller (musician)」の詳細全文を読む スポンサード リンク
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